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Label: Sub Pop Release Date: Sept. 15, 2005 |
Plenty of metaphors could be used to describe Rosie Thomas' music — seasons, fireplaces, sewing machines, etc. — but the title of the Seattle-based songwriter's third full-length, "If Songs Could Be Held", is perhaps more appropriate than any clever reviewer could ever muster. Covering a wide range of topics from mortality to self esteem, Thomas gently asks profound Ecclesiastes type questions - "How do you make these moments last?" and "Who cares anyway? - and explores through personal experience and fictional narrative the beauty of life's most daunting challenges. Augmented by a somber
violin on "Guess It May," Thomas eloquently sings about romance.
"I'm still learning what love is, everyday I wake up in your arms.
I'm still trying to figure out how it works, how to set off all your alarms."
Simple, yet so profound, Thomas' voice is backed by a sparse arrangement
of piano, violin quiet percussion and distant guitar. On "Pretty Dress,"
straight-forward percussion and orchestration blends with a strong piano
and haunting background vocals. "They don't see you like I see you,"
Thomas sings. As on past works, it's the words that carry Thomas' songs. Her maturity as a songwriter shines through once more in this collection of songs that each take on their own life and meaning. Surely, no matter where the listener is at, he or she should be able to find a context for this timeless themes. It seems apparent
that Thomas' music would appeal more to a female audience, but it's also
clear that the gentleness and honesty of these songs would do plenty of
male listeners good, if for nothing else but to contemplate the beauty
of the human spirit, both in joy and sorrow. posted [09.06.05] |
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